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Whether to create a different sound (such as darkness in extreme metal) or make it easier to play certain pieces, alternate tunings are helpful in a lot of ways. Alternate TuningsĪlternate tunings are any organisation of string pitches that doesn’t follow the E-A-D-G-B-E structure.
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However, there are a lot of different tunings we could use. The first string is an E two octaves above string six.Įverything we’ll teach you here will be based around standard tuning, including all of the chord shapes this guide provides. You’ll basically want to tune your sixth string to a low E, then go up in 4ths until your fifth string, where the G-B leap is a major 3rd. ‘Standard’ Tuningįor Westerners, standard guitar tuning is (low to high) E-A-D-G-B-E. Once you’ve located these, the process is pretty similar- simply twist them while playing each string, until it reaches the note you’re going for. Headless guitars are a slightly different matter, as they’ll have no tuning pegs, and will instead have twistable knobs at the bottom of the guitar’s body. The few variations I mentioned include guitars with 7+ strings (or even basses etc.) which you’ll approach in the same way, but the head of the guitar will simply have more tuning pegs. Slightly more complex but a bit more accurate when tuning by ear, is to play an artificial harmonic on the 12 th fret of each string, then let it ring out as you turn the tuning pegs. Simpler, is to play each string and let it ring, and then twist the tuning peg around until you hear your desired note. These are connected to the strings, and control how tight they are and therefore their pitch.Īctually tuning your guitar is actually pretty simple. Typically, your guitar will have 6 tuning pegs at the top of its neck (though we’ll get into a variants in a minute if you have a neckless guitar or more than 6 strings- stay tuned!). Making it in tune with a band means to make sure your E (or any other note) is exactly the same pitch as the same E (or any other note) of the other instruments in the band. Making your guitar in tune with itself means to create equal temperament between each string so they sound ‘correct’ when played together or following each other. Eastern music often uses very different tuning systems to these, though Western systems are still prominent globally. Specifically, our system is 12-tone (C, C#, D, Eb, E, F, F#, G, Ab, A, Bb, B) and is based around dividing an octave into 12 equal groups, but many other types of temperament exist (including 22 and 53). This means that the relationship across intervals is the same, no matter which key we play in. In western tuning systems, we use a system called equal temperament. If you’re tuning down, you’re loosening your string and it will vibrate slower and with larger fluctuations, therefore creating a lower frequency and lower note. If you tune up, you’re tightening your string, which makes for faster, thinner vibrations and therefore a higher frequency and higher note. If you’re looking to get a bit sciency, it’s all to do with notes and frequencies. If it’s out of tune (unless you’re going for something really experimental) it won’t sound great. Tuning is basically the way to make your guitar sound good.